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James Joyce was born on Feb. 2nd, 1882 in Dublin, Ireland.
James Joyce's subtle yet frank portrayal of human nature, coupled with his mastery of
language and brilliant development of new literary forms, made him one of the most
commanding influences on novelists of the 20th century. Ulysses has come to be
accepted as a major masterpiece, two of its characters, Leopold Bloom and his
wife, Molly, being portrayed with a fullness and warmth of humanity unsurpassed
in fiction. Critical opinion remains divided over Joyce's last work, Finnegan's
Wake, a universal dream about an Irish family, composed in a multilingual style
on many levels and aiming at a multiplicity of meanings; but, although seemingly
unintelligible at first reading, the book is full of poetry and wit, containing
passages of great beauty. Joyce's major innovation was to carry the interior
monologue one step further by rendering, for the first time in literature,
the myriad flow of impressions, half thoughts, associations, lapses and hesitations,
incidental worries, and sudden impulses that form part of the individual's conscious
awareness along with the trend of his rational thoughts. This stream-of-consciousness
technique proved widely influential in much 20th-century fiction.
Joyce's A Portrait of the Artist as a Young Man is also remarkable for the intimacy of the reader's contact with the central figure and contains some astonishingly vivid passages. The 15 short stories collected in Dubliners mainly focused upon Dublin life's sordidness, but "The Dead" is one of the world's great short stories. Critical opinion remains divided over Joyce's last work, Finnegan's Wake, a universal dream about an Irish family, composed in a multilingual style on many levels and aiming at a multiplicity of meanings; but, although seemingly unintelligible at first reading, the book is full of poetry and wit, containing passages of great beauty. Joyce's other works--some verse (Chamber Music, 1907; Pomes Penyeach, 1927; Collected Poems, 1936) and a play, Exiles (1918)
Joyce's major innovation was to carry the interior monologue one step further by rendering,
for the first time in literature, the myriad flow of impressions, half thoughts, associations, lapses
and hesitations, incidental worries, and sudden impulses that form part of the individual's conscious
awareness along with the trend of his rational thoughts. This stream-of-consciousness technique
proved widely influential in much 20th-century fiction.
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